Jason Dwyer - Designer + Illustrator





  • I was struck by some of the unusual colours most of the small towns you pass through in Mexico seem to have on all of the buildings. Lots of bright colours, reds and oranges, not really arranged with any pattern either. Just whatever the owner fancies I guess. The building style as well was interesting, row-ish houses span whole blocks, with some unifying details, while other items like windows vary from building to building. Overall it makes for some unique visuals.





    I snapped some photos driving by for sketching material and this is one of the resulting doodles. The line work is done in a very unpicky style, giving way to some light watercolour washes to capture the differences between each quarters.


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    There's a cool initiative that's been happening for a few years called InkTober. I'm not sure why I've only just heard about it, but basically for the month of October, artists from the world over, contribute drawings trying to produce a drawing day.

    I haven't really kept up with the pace, but here's a brush pen sketch of Buffalo from this month. I'm always intrigued by Buffalo driving through it, seeing it's different areas. The revitalized downtown with arena and ballpark, the waterfront, the faded Rust Belt factories, the dense urban decay and the older spires and deco buildings that remind me of Gotham.
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    In my short trek across Europe I managed to squeeze in some quick sketches. Packing Amsterdam, Paris and London into a span of under nine days didn't seem to leave much time for doodling, despite the ample material. Mostly I was just dashing off a quick brush doodle without much detail, before moving on to the next spot. Overall, cafes and pubs were filled with tempting subjects, as was the architecture (minus all the windows), not to mention inspiration from world famous museums that had me itching to draw. A British waitress even asked me, Simon style, if I was doing some "drawering".












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    Here's a recent illustration I did for an article about what it's like being introduced to TRX - Total Resistance Training. Gyms continue to offer increasingly unique and imaginative ways to get fit, and TRX is no exception. The main premise is resistance band training, much of it while suspended in the air in awkward positions. To new-comers brave enough to try it out, it lends itself to getting caught tangled up in a bunch of strings, like helpless prey in a spider's web.

    I wanted the drawing to tread the line between limbs flailing wildly and new found acrobatic abilities, while sticking with the prey analogy and showing a sense of vulnerability with negative space. The art was drawn and inked and then coloured and textured digitally in Photoshop. I also couldn't resist the Charlotte's Web reference, since really, how often does the opportunity ever present itself?
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    Being in the middle of planning a trip and appreciating the beauty of the European rail system, I think that this old drawing is fitting. Sometimes I marvel at the patience of previous projects. I pretty much avoid things requiring rulers at all costs, yet at some point I managed to produce an inked technical train station drawing complete with marker rendering. There are parts of it that are sloppy, but I doubt I'd have the patience to work out something like this today. Tastes and interests change, and I guess I'd just prefer to be on the train instead and snap a pretty picture.
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    New illustration out about a first-time golfer's experience trying to learn the game. Which, as it happens, was full of follies and frustrations. This one ended up a little more colourful than normal on account of the pink. As well, since the inking is looser than usual, I actually went in with some detailing and did a bit more than flat colours.
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    As a connoisseur of brush pen sketching, I got overly excited after stumbling across a little blog by artist Davis Chino. Brush Pen Paris features his sketches from a trip in Paris, soaking up the cafe culture. Everything has just such a great European feel, like an animated film vibe, of say, Ratatouille.

    The drawings of interesting character studies are quite vibrant and loose, both keys to working with brush pens. Davis also has another more current site with other sketches, Brush Pen Breakfast.
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    One of the best parts about comics, graphic novels and line art in general, is the feeling of a nice crisp black line. Or even, the startling amount of variation that can be achieved from a simple mark on paper. The way a drawing is inked can have a serious impact on how the final artwork ends up...it turns out inkers aren't just tracers after all. Interesting though, is the fact that much of the inking  I appreciate most, happens to be done by the same person that did the pencil drawing.

    FRANK MILLER
    The master of film noir himself, Frank Miller, is a hugely influential inker with his Sin City series. Massive areas of solid black, and the ability to create a clear scene without any outline, show tremendous experience and talent. Before Frank Miller, I used to find it hard to focus on b/w artwork, but he lured me right in.

    CHARLES BURNS
    Such crisp and delicate, thick-to thin brushstrokes are a marvel of skill and patience. Light source plays a huge role in creating Burns' distinct brush style. Seriously, it must take him at least a day just to ink one page!

    CRUMB
    Noted for his somewhat old-fashioned scritch scratch cross-hatching style, Crumb's inkwork just seems to flow perfectly with his drawing style, and tales of his longing for the good ol days. It must be a slow process to build up his darks, but Crumb is  mean man with a Rapidograph.

    JAE LEE
    Lee opens up new possibilities when inking for colour work. Unusual techniques like heavy toothbrush splatters and cutting back into inked solids with a blade, really add a unique and textured look to his already energetic pencils.

    JEFF SMITH
    In his work on the Bone series, Smith did a remarkable job keeping up a clean, consistent style. Excellent brush control and several levels of line variety and thickness, help to showcase the fantastical yet lifelike characters. 

    CRAIG THOMPSON
    One of my inking favourites, Thompson's black lines seem to add so much emotion and depth to his work. As a result, the drawings always look fresh and unlaboured, like he just dashes them off effortlessly with his pocketbrush.

    JEFF LEMIRE
    The Canadian newcomer is quickly working his way up the respected ranks of comic artists and graphic novels with his heartfelt work. The art in his Essex County series shows control meeting insanity, as lines spatter, drip and weave all over, while never losing site of the overall drawing.

    ADRIAN TOMINE
    A study in the philosophy that less-is-more, Tomine creates visuals with subtle yet highly competent brush work. His inking creates depth and emotion, all while not even seeming to be there. And his colour work isn't half bad either!








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    Jason Dwyer Designer/Illustrator

    Jason is a multi-discipline artist based in St.Catharines, Canada, working on projects across the creative spectrum including graphic design, web design, illustration, branding, photography and fine art.
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